By seven years old, her family had settled in Whidbey Island, Washington, where Condor took her first dance class. Her non-biological brother, Arthur Robert, was adopted along with her.Ĭondor spent her early years in Chicago, Illinois. Condor was born on in Can Tho, Vietnam and was adopted by her American parents, Mary Carol (Haubold) and journalist Robert Condor, as an infant. She made her film debut in X-Men: Apocalypse (2016), portraying Jubilee. There's simply a comfort in the familiar and seeing young people come into their own, like Drew Barrymore more or less proclaims in the '90s teen classic. Few may want to relive being a teenager again, but at least there's shows like Boo, Bitch that helps to keep alive our affinity for coming-of-age stories.Description: Lana Therese Condor is a Vietnamese-born American actress. There is a certain appeal about how teen TV it is, though. In fact, it has its own colorful splashiness and Gen-Z quirk (even if it's heavy on the cheese), and both of the leads are ones-to-watch. While the Netflix show certainly owes a lot to its predecessors, that's not to say that it doesn't stand on its own. After all, a girl does die(!) and spends her soul's final moments on Earth trying to get other people to think she's cool, instead of with those who cared about her before she had 100k followers. While Boo, Bitch is not nearly as dark as Jawbreaker, there is a darkness to it. But perhaps most of all, Boo, Bitch inspires notes of the 1999 cult film Jawbreaker, about an in-crowd who accidentally kills their friend and an awkward bystander who offers to keep her mouth shut in exchange for a makeover and a seat at the lunch table. So by Gen-Z standards, she's not just the most popular girl in school, she's also an influencer-but like Josie Nelson and Cady Heron of Mean Girls before her-a new attitude, boyfriend, and bestie, means losing herself with every post to the 'gram. As a ghost with nothing to lose, Erika becomes the bad bitch she never was when she was alive. While the popular kids in reality don't necessarily wear pink on Wednesdays, and mean girls can be anyone from your best friend to the homecoming queen, Boo, Bitch pulls from the teen genre tropes we've seen before with a nasty playfulness. What's the most fun about the comedy, though, is its take on popularity. (See Netflix's 2021 movie Afterlife of the Party, the book-turned-Zoey-Deutch-movie Before I Fall, etc.) But because of that, the show then lends itself to touch on reference points like Teen Witch and Sabrina the Teenage Witch since ghosts, obviously, have supernatural powers. First and foremost, its entire premise of the heroine dying, only to end up stuck in a sort of in-between, has recently become somewhat of a classic YA plot. In many ways, Boo, Bitch feels like a loving callback to other iconic titles and themes. Boo, Bitch, which hits streaming today and is showrun by teen TV veterans Erin Ehrlich ( Awkward., Crazy Ex-Girlfriend) and Lauren Iungerich ( Awkward., On My Block), is a limited series that pulls from many teen tropes-from mean girls to the supernatural-to create a delightful, bingeable watch. If you're confident that you could get an A+ in the history of teen cinema or are well-versed in the YA canon, you might find that Netflix's latest release is like a love letter to the genre. Because we've all been 16 and experienced varying degrees of 16-year-old emotions, that's partially why we still latch onto YA entertainment, even long after we've graduated. Ultimately, she says that high school never changes and that there's some universality to teenhood. … And there's still that one guy with his mysterious confidence, who seems so perfect in every way-the guy you get up and go to school for in the morning." Those girls are still there, the ones that, even as you grow up, will remain the most beautiful girls you have ever seen close up. Of high school, she says, "There's still that one teacher who marches to her own drummer. Yes, the 1999 movie is problematic (what with its plot about a young reporter undercover as a high schooler who falls for her teacher), but when Josie waits on the pitcher's mound to try to make amends with the man she wronged, she talks about growing up in a way that many of us know to be true. When thinking about the themes of teen TV shows and movies, I can't help but think of the final speech that Drew Barrymore makes in Never Been Kissed.
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